Film Stock Guide

Film stock is light-sensitive material coated on a plastic base. When exposed in a camera, silver halide crystals react to light, forming a latent image. Black and white film records luminance only. Color negative film captures full color in a low-contrast negative for printing and scanning. Slide (reversal) film produces a positive image with vivid color and high contrast, designed for projection.

The choice of film is the first creative decision in analog photography. Black and white gives you control over the entire process from exposure to print. Color negative offers forgiving exposure latitude and natural tones. Slide film delivers unmatched color vibrancy but demands precise metering.

B&W Films

FilmISOGrainContrastBest For
Kodak Tri-X 400400Classic, visibleMedium-highStreet, documentary, all-around workhorse
Ilford HP5 Plus400Fine, smoothMediumPortraits, landscapes, excellent push to 1600
Fuji Acros 100 II100Extremely fineMediumLong exposures, architecture, fine detail
Kodak T-Max 400400Very fine (T-grain)HighStudio, controlled light, maximum sharpness
Ilford Delta 100100Ultra-fineMedium-highLandscapes, technical work, large prints

Color Negative Films

FilmISOGrainContrastBest For
Kodak Portra 400400Very fineMedium-lowPortraits, weddings, natural skin tones
Kodak Portra 160160Extremely fineLowStudio, fashion, fine detail
Kodak Gold 200200FineMediumEveryday, warm tones, affordable
Fujifilm 400400FineMediumAll-around, cool tones, great value
Cinestill 800T800VisibleHighTungsten light, night scenes, halation glow

Color Positive (Slide) Films

FilmISOGrainContrastBest For
Fuji Velvia 5050Ultra-fineVery highLandscapes, vivid saturation, legendary colors
Fuji Provia 100F100Extremely fineHighAll-around, natural color, scans beautifully
Kodak Ektachrome E100100Extremely fineHighPortraits, nature, clean cool blues
Fuji Velvia 100100Ultra-fineVery highNature, high saturation, fine grain

Based on submissions to Neoanaloglab Foto, Kodak Tri-X 400 and Kodak Portra 400 are the most-used B&W and color films. Fuji Velvia 50 is the top slide film choice for landscape work.

How to Choose Your First Film

For B&W, start with a 400-speed film like Kodak Tri-X 400 or Ilford HP5 Plus. For color, Kodak Portra 400 is forgiving and produces beautiful skin tones. For landscapes with a tripod, Fuji Velvia 50 delivers unmatched color — but meter carefully. Slide film has the least exposure latitude of the three types.

Frequently Asked Questions

What is the best film for beginners?
For B&W: Kodak Tri-X 400 or Ilford HP5 Plus. For color: Kodak Portra 400 or Kodak Gold 200. These films have wide exposure latitude — they tolerate incorrect exposure well. They are available in 35mm and 120 formats and easy to find.
What is the difference between color negative and slide film?
Color negative film (C-41 process) produces a low-contrast negative with wide exposure latitude — you can be off by a stop or two. Slide film (E-6 process) produces a positive image with high contrast and vivid color, but exposure must be precise to within half a stop. Slide film was designed for projection; color negative was designed for printing.
Can I use the same film for both daylight and indoor shooting?
ISO 400 film handles both well. For daylight, use smaller apertures or faster shutter speeds. Indoors, use wider apertures. For tungsten light, consider Cinestill 800T which is balanced for artificial light. For night shooting without a tripod, push 400-speed film to 800 or 1600.

Sources

ISO speeds, grain and contrast on this page follow the manufacturers' own published technical data. The usage figures are ours, counted from submissions to Neoanaloglab Foto.